Justice League of America #21

I'm not sure what to think about writer Dwayne McDuffie's stint on "Justice League of America". I know that he is held in high regard for his previous work, but it seems that he is a bit off his game with this book. The JLA is supposed to be the premiere DC book. The stories should be blockbusters. However, whether due to DC Editorial mismanagement or bad writing, each issue seems to be a setup for some other big event. Just recently we've seen a setup for "Tangent: Superman's Reign", "Salvation Run", and now "Final Crisis". I'd like to see this book get its footing and let McDuffie shine.

Art Rating: 3 out of 4
Story Rating: 3 out of 4
Overall Rating: 3 out of 4

McDuffie takes some time to do a little evaluation in this issue. The Trinity meeting reflects the vibe of "Justice League of America" #0 but is more a status check on how the league is doing. McDuffie handles the banter between the big three and shows he has a good understanding of their dynamic. He uses this plot device to clean up some nagging questions and address some complaints I've read on message boards. For example, Batman treating supposed team leader Black Canary poorly is discussed. The art team of Pacheco & Merino do a fine job with the discussion giving the characters the proper facial expressions to match McDuffie's plot. The art team really shines when an old Martian Manhunter villain shows up and the "Final Crisis" prologue action happens.

As a stand alone issue, I liked what McDuffie and company did here. They presented a pretty good jumping on point for new readers while addressing current reader's issues. However, if this turns into a one-shot and forgot regarding Libra's plans and the next issue goes on to set up another miniseries event that is coming up, I will truly feel sorry for McDuffie. DC is treating him like a glorified fill-in writer and he deserves better than that.

Countdown to Final Crisis #9

I didn't think Dini and company could top the Earth-51 battle, but they come close this issue. They have a lot happening here as the various groups join forces against Brother Eye, Apokolips. The growth of Red Robin continues and he is becoming a decent character. If they would just get rid of his Donna obsession then he would be so much better. Piper is here and is as confused as always. I guess Desaad used him all along because he can summon the anti-life equation with is piping skills...who knew? I thought that was out of left field, but they must have planned this from the beginning because why else has he been in the story. Ray Palmer finally stops being a whiny pussy and suits up. For some reason he's really scared about "Morticoccus" which is in Karate Kid. Now I can't bring myself to get to hyped up about a disease - I just can't seem to see this being that action filled if they have to fight the virus' spread.

As this series winds down, Dini's crew has put out some good issues. I would put this issue up there as a good read with good art by Derenick and Faucher (get these guys a monthly to work on). If you missed out on the first 2/3 of this series, you didn't miss much. From about 18 on, this has become a decent series and a fun weekly read.

Countdown to Final Crisis #11

All of the regular players are now on Apokolips and...nothing much happens. After several issues in a row of action and story, this is the second issue in a row to pause and catch the reader up on who's who. Every storyline is present in this issue as all are getting adjusted to their respective situations on Apokolips. The Granny Goodness - Harley/Holly/Mary story has to be the most ridiculous. With the build up of "Amazons Attacks", Granny is taken down by a razor cut and the three amigos continue to bumble through the story. We get a little more Trickster with a mysterious one-handed visitor. Even as Red Robin, Jason Todd continues to be a dick. However, he does have some good observations about how one-dimensional this series has made both Kyle and Donna. Jimmy Olsen continues his wacky 60s & 70s revival meeting more silly characters on Apokolips.

As a wrap up, a whole lot of pages and not much moving forward. Let's get to the final bash and see what the hell is going on and why I'm buying this series.

Countdown to Final Crisis #19

Continuing on with dredging through the "Countdown" books this week, "Countdown to Final Crisis" #19 actually manages to move a couple of stories along. Too bad I find both the Jimmy Olsen and Holly Robinson stories boring. My son has given up on this series and relies on me for a synopsis each week. This issue bounces between Jimmy, Holly, and Piper stories. Even in death Piper and Trickster continue with the gay banter - not funny. While it is nice to see the new information given in the other two plot lines, it almost comes across as too little too late.

Paul Dini and crew are "cramming" 12 issues worth of story into 52 issues of comics - drawing out every subplot to its breaking point along the way. They need to pick the pace up and fast.

Countdown to Final Crisis #23

"Countdown to Final Crisis" #23 gives the reader basically one linear story to follow with a short middle interlude. While I'm not a huge fan of Mr. Myxztplk, I found the scenes between him and Superman-Prime were done very well. Countdown has become synonymous with the slaughter of the B and C list characters in the DCU and I had my doubts that Mxy would make it out of this one alive. Writer Paul Dini with an assist from Keith Giffen pulls out an interesting story while Prime does his torturing. We get some background on Mr. Myxztplk and the Fifth Dimension and how it all might play in the upcoming crisis. I thought the interlude with Mary Marvel was a retread of her issues and didn't really move her story along. I was impressed by the art team's efforts here. Tom Derenick on pencils with Wayne Faucher on inks make a good team. The panel layouts were good with excellent character presentations.

While "Countdown" has been somewhat of a disappointment when compared to "52", I'm seeing that DC is trying to accelerate the story and provide the reader something to grasp onto. The book still rates low on my must read list, but I keep getting it hoping to see improvement.